August Crull (1845–1923) was born in Germany but moved with his mother to the United States as a young boy following the death of his father. His mother remarried, and Crull began studying to enter the pastoral ministry at Concordia Seminary in 1862.
Dr. Carl F. Schalk has written more than one hundred hymn tunes, composed dozens of sacred choral pieces, and authored numerous books on liturgical worship. But what lies underneath the titles, tunes, and tempos is a man who has shaped decades of Lutheran music and church worship. His precise dedication to the liturgy of the Church guides his musical endeavors; and this zeal and diligence has molded generations of church musicians and laypersons and is sure to impact generations to come.
John A. Behnke has transcribed his popular organ prelude of the tune WEM IN LEIDENSTAGEN to an accessible arrangement for level II handbells. Based on three stanzas of the hymn, the first section is musically straightforward, the second has new harmonies, and the third uses descanting notes and grand harmony. Scored for 3–5 octave handbells and optional 3 octave handchimes.
The Hymn of the Month is “From Heaven Above to Earth I Come” (LSB 358), set to the tune VOM HIMMEL HOCH. The text was written by Martin Luther, and it was translated from German to English by Catherine Winkworth, one of the most prominent female hymn translators in history.
The Proclaim! series provides organists with substantive service music and hymn harmonizations for the Hymn of the Day, as found in the One-Year and Three-Year Lectionaries of Lutheran Service Book. Since this series features a broad representation of composers, the expression of different composers’ voices provides a variety of artistry and style. With this volume, organists have service music and alternate hymn accompaniments for every Hymn of the Day during Christmas.
The Hymn of Month is “From God Can Nothing Move Me” (LSB 713). It is set to the tune VON GOTT WILL ICH NICHT LASSEN. This is probably the most well-known hymn of Ludwig Helmbold, a German philosophy professor and poet of Lutheran hymns. It was written for friends fleeing the 1563 plague in Erfurt to comfort them on their journey. Johann Sebastian Bach used several of Helmbold’s hymn texts in his cantatas, and stanza five of Von Gott Will Ich Nicht Lassen appears in Bach’s O heilges Geist-und Wasserbad (O holy bath of Spirit and Water).
Jacob B. Weber has composed a thrilling Gloria for SATB, organ, and brass quartet. Featuring joyous symphonic writing, the piece begins with a fanfare interplay between brass and organ, leading directly into angelic strains of “Gloria in excelsis Deo!” Moments of warm, rich choral writing complement the text. Set entirely in Latin, this setting can be a featured addition to any high school or college Christmas concert, or, when appropriate, a festival Divine Service setting during the Church Year.
The Hymn of the Month is “I Know My Faith Is Founded” (LSB 587). The German text was written by Erdmann Neumeister, who was a pastor, organist, and schoolmaster in the seventeenth and eighteenth centuries. In 1941, the hymn was translated into English by The Lutheran Hymnal.
Commissioned for the 150th anniversary of Concordia Publishing House on September 11, 2019, pastor and hymnwriter Stephen P. Starke, and Kevin J. Hildebrand, kantor at Concordia Theological Seminary, Fort Wayne, have produced For Faith, We Praise You, Lord, a sturdy hymn written to the tune VERITY.
The five-stanza hymn is scored for SATB choir, congregation, organ, and trumpet. The hymn charts the Christian life lived in faith, from birth in Holy Baptism, to the altar at the Lord’s Supper, and into the harvest field as workers in God’s earthly kingdom. The post below showcases each stanza of this hymn along with explanations and reflections on the lyrics.