The life of Dr. Carl F. Schalk (1929–2021) is certainly one of the clearest and longest proclamations of the Gospel ever heard in the world of Lutheran church music.

He was a beloved husband, father, musician, writer, composer, and fervent advocate of the Lutheran Church. While Carl is dearly missed, he continues to sing the Church’s song, now proclaiming the Gospel of Jesus Christ in His nearer presence.

Not unlike many American Lutherans in the upper Midwest, Martin Franzmann (1907–76) was the son of a Lutheran pastor. Born and raised in Minnesota, Franzmann continued his undergraduate and seminary education in Wisconsin and ultimately taught at Concordia Seminary in St. Louis, Missouri.

 Have you ever wondered why some hymns in Lutheran Service Book have more than one setting? To the untrained ear, the spacing and notes may seem almost identical, but to a seasoned musician, one tweak can make all the difference. Fridrich Layriz (pronounced LIE-ritz) supported the use of traditional rhythmic settings for hymns, and his work was influential, especially for The Lutheran Church—Missouri Synod and its music. 

The Piano Prelude Series features newly composed pieces by dozens of composers who write in a variety of styles and harmonizations. Edited by Kevin Hildebrand, volume 4 contains preludes for tunes starting with the letters F and G. These pieces are useful as preludes, postludes, music at the offering, for introduction, and during distribution, as well as for those who play hymns at home. The durable wire binding ensures that each page lies flat against the music stand.

In October 1966, tragedy struck the Welsh town of Aberfan when heavy rainfall mixed with coal waste and caused a mountainside to collapse. The sodden coal waste slid down to the town, burying the primary school and the students inside. A total of 116 children died in the disaster. 

With my heart warmed by a glass of cheap red wine, my cozy apartment sheltering me in light that keeps the cold darkness at bay, and my husband gone for the evening, leaving me to my own devices, I begin to contemplate how we enjoy music.

To truly enjoy music, one must understand it. This rings true for most things in life. It is difficult for us to like something, to lose ourselves in pure happiness when we do not understand it. On the other hand, to truly understand something, often we must first enjoy it. It is a strange contradiction.

The Hymn of Month is “From God Can Nothing Move Me” (LSB 713). It is set to the tune VON GOTT WILL ICH NICHT LASSEN. This is probably the most well-known hymn of Ludwig Helmbold, a German philosophy professor and poet of Lutheran hymns. It was written for friends fleeing the 1563 plague in Erfurt to comfort them on their journey. Johann Sebastian Bach used several of Helmbold’s hymn texts in his cantatas, and stanza five of Von Gott Will Ich Nicht Lassen appears in Bach’s O heilges Geist-und Wasserbad (O holy bath of Spirit and Water).

The Hymn of the Month is “I Know My Faith Is Founded” (LSB 587). The German text was written by Erdmann Neumeister, who was a pastor, organist, and schoolmaster in the seventeenth and eighteenth centuries. In 1941, the hymn was translated into English by The Lutheran Hymnal.

Today, we are celebrating an extraordinary event at Concordia Publishing House. Dr. Carl F. Schalk, renowned composer, music educator, distinguished professor, and beloved mentor turns ninety years young.

Originality. A quick Google search of the word provides such synonyms as inventiveness, creativity, novelty, newness, individuality, and even the phrase break with tradition. Originality is a quality highly desired in today’s world. Just look at the trendy Instagram posts of fashion and modern art.