Coming to church on Sunday, whether in person or virtually, is important for Lutheran Christians. Participating in the liturgy allows believers to come together to receive forgiveness, offer prayers and thanksgiving, and engage in God's Word and Sacraments. Read an excerpt from Walking Together: Simple Steps for Discipleship below to understand why worship and its routine is important, unique and sacred.
The sixth volume of the Piano Prelude Series includes tunes J,K, and L from Lutheran Service Book. The Piano Prelude Series includes original compositions by various composers, specifically created for Lutheran Service Book hymns. The sixth volume includes settings written by Elizabeth Grimpo, Thomas W. Jefferson, and Zach Unke.
The Service of the Sacrament is the celebration of the Sacrament of the Altar. The Sacrament was instituted by Jesus Christ for the forgiveness of sins. It is to be celebrated by all Christians until Christ comes again on the Last Day. Read this excerpt from Worshiping with Angels and Archangels: An Introduction to the Divine Service below to learn more about this part of the Lutheran worship.
While reading a child’s version of the biography of Johann Sebastian Bach to my students recently, I was struck with how much Bach learned from the “masters.” When practicing and perfecting his art, Bach intentionally sought out music written by those who preceded him whose works were masterful and worthy. Bach’s method of learning music in this way provides a powerful example of the way in which we should learn and teach music.
This year, the Church celebrates the Day of Pentecost on May 23, marking the end of the season of Easter. The word “Pentecost” literally means “fifty,” as it falls fifty days after Easter Day.
On the Day of Pentecost, Jesus’ apostles were filled with the Holy Spirit and given the ability to speak in many languages, which they used to spread the Gospel to all people and cultures. The Day of Pentecost marks the beginning of the “Time of the Church” in the Church Year—that half of the Church Year where the paraments in the sanctuary remain green and God’s people hear, in more detail, about the works and ministry of Jesus.
Every Maundy Thursday evening during the stripping of the altar, the choir at my church sings a version of Psalm 22, the Psalm that begins “My God, my God, why have you forsaken me?” It’s a poignant piece for that part of the service and a look at the way in which the Psalms continually point us to Christ. This repetition of the same psalm at the same service every year also ensures that the psalm becomes familiar to the congregation and offers members words of Scripture to pray in times of need.
This collection by Benjamin Kolodziej features Easter organ settings of moderate difficulty. Each employs various musical textures to convey the spirit of the hymn texts to the congregation. From meditative and lush treatments of LANCASHIRE and VRUECHTEN to a sprightly trio arrangement of BESANÇON to a setting of DUKE STREET suitable for showcasing a solo trumpet, organists will find these settings invigorating and fun to play.
During our recent spring break vacation at the beach, my husband and I encountered several people walking along the sidewalks, beach, and paths carrying speakers playing loud music, most often loud and obscene rap music. The lyrics of these songs told us how Satan was trying to influence the thoughts and minds of those who were listening to them. Satan was working through these explicit lyrics to draw people away from Christ.
Have you ever wondered why there are so many aspects of Lutheran worship? What about the style of music, the order of service, or even the weekly lectionary readings? Lutheran worship follows an ancient tradition that dates back hundreds of years. This includes the practice of incorporating the Service of the Word into regular services. Keep reading to learn more about this special part of Lutheran worship.
Mitchell Eithun provides a plaintive arrangement of the tune GETHSEMANE. Based on the first three stanzas of the hymn, Eithun’s portrayal of the hymn’s narrative includes phrases of the text throughout the score. This level II piece cleverly ends with an unfinished feel, adding to the anticipation of Easter dawn.