Ralph C. Schultz offers us this Appalachian folk song that proclaims the birth of Jesus. The beauty of the song is placed in an accessible setting for SAB choir with a descant for C or B-flat instruments. The music supports the events leading back to the memorable refrain.

Why have certain hymns grown to be synonymous with the Reformation? With these excerpts from Eternal Anthems and Companion to the Hymns, you’re invited to journey through the contexts of some of these Reformation favorites. 

Each movement of this five-movement partita, Built on the Rock: Partita on “Kirken den er et gammelt hus,” can be used separately at various points in a worship service, or they can be used all together for a lengthier prelude or concert piece. Of medium difficulty, each movement was inspired by a particular phrase in the hymn text.

The historic church used to partake in a set of daily services called the Daily Office. This kept people connected to God and in community with His Word throughout their working lives. While most churches do not observe these Daily Offices today, we still retain their settings, and they are certainly beneficial to incorporate into the life of the church, devotions with family, or other settings. Today, we look at the order of Vespers and some appropriate hymns to accompany it. The following has been adapted from Lutheran Service Book: Companion to the Services and Lutheran Service Book: Companion to the Hymns. 

David von Kampen has set this anthem for End Times or Advent for SATB choir and piano. It begins with unison choir on the first refrain and moves to SATB in the first verse. The piece closes with a quiet unison phrase. This is sure to become a choir favorite!

As you assembled in silence in a church by candlelight or with your family before turning in for the night, you may have prayed the office of Compline. This evening office is reflective and focuses on preparing your soul for the night. Read the following adaptation from the Lutheran Service Book: Companion to the Services to discover the rich history of the office of Compline.

Timothy Shaw’s collection of hymn accompaniments for piano showcases the range and technique of the piano as an instrument to lead congregational singing. This collection is the second in a new series: Artful Hymn Accompaniments for Piano, inaugurated last year with its first set by composer Jacob Weber.

You may have heard someone in your church referred to as a cantor (sometimes spelled “kantor”). You probably know that a cantor works with church music, but what makes a cantor distinct from an organist or director of church music? Carl Schalk provides insight into what a cantor is historically in church tradition and what it means for us today. The following has been adapted from The Cantor in the Lutheran Tradition. 

Hymn introductions provide an opportunity to invite the congregation to lift up its voice. They needn’t be long or complicated in order to be engaging. This resource provides 60 introductions and an extended preface that provides tools and suggestions for the average church musician to craft his or her own introductions. These introductions are extremely useful, covering 117 hymns in Lutheran Service Book.

When you hear the word doxology, what comes to your mind? For many, it’s a familiar tune and the words: