During the fifty days of the Easter season, the Church rejoices in the resurrected Lord and the new life He brings. This season includes three great feasts that we celebrate: the Feast of the Resurrection, the Feast of the Ascension, and the Feast of Pentecost. This year, the Easter season looks and feels different, as many churches are streaming worship online. As you prepare for upcoming services, use the hymns and suggestions below in preparation for worship throughout the Easter season.
Men have had an incredible impact on shaping Lutheran hymnody as it’s known today. From Paul Gerhardt to Dr. Carl Schalk, male hymnwriters have truly given Lutheranism foundational music that speaks volumes. But did you know that many female hymnwriters, hymn translators, and composers have also contributed to the creation of many Lutheran hymns? Read biographies below from Lutheran Service Book: Companion to the Hymns to learn about some of the wonderful women who helped bring Lutheran hymnody together for Christians everywhere to enjoy today.
November is a time of thanksgiving. We reflect and give thanks for everything that God has provided for us physically, spiritually, and emotionally. During this month, many churches, perhaps even your church, sing hymns of thanksgiving each Sunday. If you’re curious about the backstory and historical context of thanksgiving hymns (or any other hymn!), LSB: Companion to the Hymns is a great resource. To illustrate, we’ve picked three of these hymns and their histories to share in-depth.
Composed in commemoration of the centennial of the birth of Jaroslav J. Vajda (1919–2008), Kevin Hildebrand’s setting of the favorite hymn is flexible for SATB or two-part choir or soloists, organ, optional congregation, flute, and strings.
This post is adapted from The Year of the Lord by Theodore J. Kleinhans.
Just as the first Easter set the pattern for Sunday, so it also set the pattern for the Church Year. An event of such significance as the resurrection soon formed a natural focus for the entire year. No wonder one of the Church Fathers called it the festival of all festivals—the festum festorum.
This post is an excerpt from Luther on Music: Paradigms of Praise by Carl F. Schalk.
No one considering the development of worship and church music in the Lutheran church of the sixteenth century can avoid facing squarely the pivotal role played by Martin Luther. He was important, however, not only because he was the focal point of a new theological movement. He stood, as well, at the center of a new musical movement that was to affect profoundly the church that would come to bear his name.
This post is adapted from Praising God in Song by Carl Schalk.
The New Testament reflects in various ways both the content and vigor of the worship life of the early Christians. Among the excerpts from creeds, prayers, doxologies, and benedictions to be found in the New Testament are a variety of references to “hymns,” “psalms,” and “odes,” or “songs.” The very variety of terms suggests that no one “hymn form” was used exclusively.