Jeffrey Blersch’s organ collection Christ Is Made the Sure Foundation features four variations on the tune WESTMINSTER ABBEY. The first masterfully incorporates a Purcell sonata for a regal feel, with the tune in the pedal. The next variation is a light tricinium, with a slow-moving cantus firmus in the left hand, continuous movement with ornamentation in the right hand, and a walking bass in the pedal. This is followed by a movement of lush harmonies utilizing strings with a flute solo in the pedal. The collection finishes with a gripping variation that shifts back and forth between a big, grand, almost menacing maestoso section and an energetic, dancing 6/8 that keeps shifting keys—full of surprises and fun to play.

One staple of worship every Sunday is the Hymn of the Day. Whether printed in your bulletin or posted on the hymn outline board at the front of the church, the Hymn of the Day connects to the theme of the worship service. These hymns become a staple of the service as they’re repeated every one or three years, depending on your preferred lectionary. They help your congregation members familiarize themselves with the hymnal and connect similar themes across church seasons.

Treating sixteen tunes commonly associated with the Lord’s Supper, Grace Unbounded is a book you will always want handy for Communion distribution. When you’re not sure how much music will be needed, these brief pieces of two or three pages in length are an ideal choice. A wide variety of techniques keep the settings interesting and fun while being easy to play.

Eight recently discovered organ works of distinguished composer, teacher, and parish musician Dr. Richard Hillert (1923-2010) are being newly released in Richard Hillert: The Unpublished Organ Works. These settings have never been published before and are all settings of commonly used hymn tunes. They should be a welcome addition to the church organist’s repertoire, especially for those who have studied with Hillert; for those who have played, sung, and admired his work; and for those in the future who have yet to encounter the music of this remarkable man.

Classic Concordia Chorale Preludes is a large collection of miniature chorale prelude gems mined from the Concordia Publishing House (CPH) catalog of the 1950s through 1980s. These pieces represent some of the best titles previously found in the Concordia Hymn Prelude Series, The Parish Organist, Preludes for Hymns in the Worship Supplement, and several other individual collections. Prefacing every piece is a page giving background information about the tune (its source, form, and melodic characteristics) and the organ setting (its composer, publication source, compositional aspects, and suggested registration). This collection is of great use for both worship and academic situations, encouraging organists to learn and share a broad, balanced repertoire that includes music of the recent past.

The Eight Organ Preludes for the Church Year series continues with “Alleluia! Amen!” and features the accessible and versatile writing that characterizes previous releases in the series. Organists of varied ability levels will find these pieces useful throughout the Church Year as well as musically edifying. This edition is wonderful for any church organist’s library!

Edwin T. Childs adds to his series of settings for minimal pedal, providing a collection of hymn tunes for the Easter season. Composed as a single stanza, these preludes are suitable as hymn introductions or service music. Easter with Minimum Pedal will appeal to organists who have limited pedal abilities or seasoned organists who need something in a pinch.

This collection of five preludes for Lent is another stunning addition to the Hymn Tune Innovations series. Benjamin M. Culli has composed five accessible preludes for use during the Lenten season. These preludes are appropriate for use from Ash Wednesday through Good Friday, showcasing familiar tunes and those that might be new to your congregation. 

Enhance your Christmas worship services with these five preludes by William H. Bates. Driving rhythmic passages, harmonic sequences, and imaginative counterpoints shore up the distinctive character of each tune.

Each movement of this five-movement partita, Built on the Rock: Partita on “Kirken den er et gammelt hus,” can be used separately at various points in a worship service, or they can be used all together for a lengthier prelude or concert piece. Of medium difficulty, each movement was inspired by a particular phrase in the hymn text.