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How to Network with Local Church Musicians

The professional world is full of networking opportunities, from connecting with individuals at conferences to networking entirely online. For a church musician or a music director, these networking needs are far different than, say, a marketing manager of a Fortune 500 company. In fact, making connections with other local musicians in your community can be challenging but also rewarding. The ability to use resources through networking for your church will not only free up your precious time but also give you the tools you need to broaden the musical selections your congregation hears every Sunday without having to dip further into the budget. For those trying to network with local musicians or churches in your area, try these tips below.

Music of the Month: Lord of Our Life

The music of the month is Lord of Our Life, a sturdy partita by Kenneth T. Kosche, which uses the mighty tune ISTE CONFESSOR. The first four movements include “Theme,” “Trio,” “Bicinium,” and “Chorale,” and are interpretations of the first line of each stanza. The partita closes with a bright “Finale.”

Why Music Education Is Important

Why do we teach music?

Music of the Month: For Faith, We Praise You, Lord

Commissioned for the 150th anniversary of Concordia Publishing House on September 11, 2019, pastor and hymnwriter Stephen P. Starke, and Kevin J. Hildebrand, kantor at Concordia Theological Seminary, Fort Wayne, have produced For Faith, We Praise You, Lord, a sturdy hymn written to the tune VERITY.

 

The five-stanza hymn is scored for SATB choir, congregation, organ, and trumpet. The hymn charts the Christian life lived in faith, from birth in Holy Baptism, to the altar at the Lord’s Supper, and into the harvest field as workers in God’s earthly kingdom. The post below showcases each stanza of this hymn along with explanations and reflections on the lyrics. 

Music of the Month: Go, My Children, with My Blessing

Composed in commemoration of the centennial of the birth of Jaroslav J. Vajda (1919–2008), Kevin Hildebrand’s setting of the favorite hymn is flexible for SATB or two-part choir or soloists, organ, optional congregation, flute, and strings.

Five-Step Summer Plan for Music Teachers and Directors

It’s 8:46 on a Sunday morning, and I’m still in my pajamas sipping coffee and listening to the birds outside my sun-filled apartment as I write. No choir obligations, no classroom work looming for the after-church hours, no rush to get the laundry done today, no urgent Sunday-evening meal prepping to anticipate.

Music of the Month: To Live Is Christ

Benjamin M. Culli’s exquisite SAATB a cappella anthem uses a text by Lisa M. Clark. Inspired by Philippians 1:21, “For to me to live is Christ, and to die is gain,” this piece features a soaring tune that is supported by close, rich harmonies.

Musical Literacy, Sightreading, and the Church

Can you comprehend a world without literacy? Think for a moment about a world in which only a small percentage can read and a smaller percentage can read well. If we church musicians also consider music essential to life, should we not also consider music literacy, especially in the form of sightreading, an indispensable skill for any budding, and accomplished, musician?

Highlights of Our 2019 New Music Releases

Our new music for 2019 became available last Wednesday! At the end of this post, you can browse the catalog to see all the pieces. In the meantime, here are some of the highlights as you start choosing your church’s new music for the coming year.

Music of the Month: Christ Jesus Lay in Death’s Strong Bands

Hart Morris’s arrangement of “Christ Jesus Lay in Death’s Strong Bands” is a Level III piece scored for 3–5 octave handbells. With roots in the Ancient Church and strong theological undercurrents, the piece is well placed on Easter Day or any Sunday during the Easter season.