Our new music for 2019 became available last Wednesday! At the end of this post, you can browse the catalog to see all the pieces. In the meantime, here are some of the highlights as you start choosing your church’s new music for the coming year.
Sondra K. Tucker’s arrangement of “Easter Fantasy on Ancient Hymns for Brass Quintet and Organ” combines two hymn tunes with Dupré’s celebrated organ solo “Cortège et Litanie.” The triumphant tone and historical relevance make the piece perfect for Easter Day or any time during the Easter season. Listen to “Easter Fantasy” here, and at the end of the post, preview the score on CPH.org.
Students, especially middle schoolers on the cusp of adulthood, long to be treated with respect and dignity; however, as music teachers, it is often tempting to search for music we think might be popular with our students regardless of musical, or spiritual, value. As soon as we recognize that kids can tell when we are trying to cater to their childishness rather than help lead them toward a mature adulthood, we can see how valuable hymns are in teaching our middle schoolers.
As Christmas approaches, everything around us tells us to be merry and happy—and we should be as we rejoice at the remembrance of the birth of Christ. For us church musicians, though, this time of year finds many of us busy, anxious, and stressed, a far cry from the Christmas cheer everyone around us espouses. Fortunately for us, our tasks during this season lead us to the truth, the ultimate cause of rejoicing.
Between learning music for each week, leading rehearsals, teaching, and keeping up with regular life responsibilities, it can be hard for working church musicians to focus on their musical growth. But growing as a musician is one of the most important and fun parts of your work. So how do you make it happen?
Here are some simple ways to keep your musical growth a priority as you keep up your regular responsibilities at church.
God created us to be in community, and that applies to every aspect of our lives, including our jobs. If you’re a church music director, you need musicians to make music with, coworkers to run ministries with, and other music directors to learn and get help from. All these things require relationships—in other words, a network. Here are some ways to build a network that can help you continue to grow and move forward.
The end of summer is drawing near, which means that regular music rehearsals will begin again for most church musicians. Here are five essential things for music directors to do in order to make a smooth transition into fall.
It is hard to believe that summer is already nearing its end. For me personally, it has been a time to rest and enjoy traveling and relaxing. Although I realize it is not always that way for everybody, I imagine that many people, especially church workers, have a bit more of a relaxed schedule during the summer. In particular, the summer is a time during which church musicians can catch their breath.
We know that music is important in teaching people about Jesus, but what does that actually look like? What practical steps can music directors take to teach not only music but also the Christian faith? Below is an excerpt adapted from Kenneth T. Kosche’s article in The Pedagogy of Faith, a book for Lutheran educators about teaching methods they can use in the Christian classroom. Our excerpt is from the chapter about music.