John A. Behnke’s concertato setting of the beloved Christmas carol “Angels We Have Heard on High” is written for SATB choir, congregation, and organ, and the setting also includes optional parts for handbells and orchestra. If handbells and/or an orchestra are unavailable, the concertato remains a fine setting for the congregation and choir this Christmas. Perform it with everything or incorporate just the subset of instruments you have available.

It’s that time of year: the weather has gotten colder, the lights have gone up, and the Christmas music has been playing for some time now. It’s a season of celebration, especially the celebration of the birth of Christ, our Savior come to earth. At this point, your children or students are antsy for the festivities to begin and to open their presents. But before that, take this time to remind them of the greatest gift we have ever received, the gift of God’s Son, born for us. Here are our top children’s hymns for Christmas from One and All Rejoice to encourage the children in your life in their worship of Jesus.

Enhance your Christmas worship services with these five preludes by William H. Bates. Driving rhythmic passages, harmonic sequences, and imaginative counterpoints shore up the distinctive character of each tune.

Ralph C. Schultz offers us this Appalachian folk song that proclaims the birth of Jesus. The beauty of the song is placed in an accessible setting for SAB choir with a descant for C or B-flat instruments. The music supports the events leading back to the memorable refrain.

Every Christmas tradition has an origin story, as do longtime favorite Christmas hymns. You may be surprised to discover what inspired three of your favorite holiday hymns: “From Heaven Above to Earth I Come,” “God Loves Me Dearly,” and “O Sing of Christ.” One of these hymns has roots in a folk song, another is tied to a rescue home for youth, and the third departs a bit from the typical themes of a Christmas hymn. Read on for more details about these holiday favorites from Eternal Anthems: The Story Behind Your Favorite Hymns!

Rejoice! Rejoice! The Christmas season is approaching, and these wonderful settings are a perfect addition to your plans. Take a look at the variety below and browse hundreds of other options with the CPH Music Subscription.

When I was a child, my church always sang “Let All Mortal Flesh Keep Silence” on Christmas Day as the Communion elements were processed into the sanctuary. The congregation would start quietly and crescendo with each verse, serving to highlight the Lord’s Supper as the high point of the service. We would have the hymns printed in a bulletin, so I remember being surprised the first time I realized that this hymn is found in the Lord’s Supper section of the hymnal rather than the Christmas section.

A common complaint in our modern culture is the swiftness of time. It seems like every month we look at each other and ask, “Where did the last month go?” For church musicians, this is especially true during Advent as Christmas approaches, more closely followed than we might wish by Lent and Easter. It seems as though there is never enough time to adequately prepare our music and our hearts for each season.

David Maxwell has crafted nine extensive organ settings for Advent and Christmas in this collection. Maxwell uses a variety of styles ranging from introspective (W ZLOBIE LEZY) to strong and majestic (CONSOLATION). The collection also includes a joyful toccata of ANTIOCH and a lively swung setting of GO TELL IT. These settings will be enjoyable for all levels.

The First Noel is one of the final contributions to the Concordia Publishing House choral catalog by the late Carl F. Schalk (1929–2021). Schalk’s soaring tune and captivating setting of the beloved Christmas carol is set for SATB, strings, tubular bells, and timpani. Useful for concerts, services, and pageants, the piece is a processional carol. The new tune and unique combination of instrumentation will engage listeners and set the tone for concerts and worship.