This Advent hymn is among the few that can be definitively attributed to the “father of Latin hymnody” himself, Ambrose of Milan. Listen to this beloved hymn and then check out its rich history.
“Come, Lord Jesus!” (Revelation 22:20)
Our Church Year begins with Holy Scripture’s conclusion. The Church’s celebration of the Saints Triumphant and its recognition of Christ’s second coming in the end times smoothly leads us to Advent, the time of waiting for our Savior’s coming—past, present, and future—and the time of repentance in anticipation of His coming.
Edwin T. Childs adds to his series of settings for minimum pedal, providing a collection of hymn tunes for the season of Advent in Advent with Minimum Pedal. These inventive preludes are suitable as hymn introductions, preludes, voluntaries, and postludes, and will appeal to organists with limited pedal abilities or seasoned organists that need something in a pinch.
Advent is a season of preparation and repentance as we anticipate the coming of our Lord and Savior. Help your congregation prepare with these five Advent settings for choral, organ, and handbell groups.
A common complaint in our modern culture is the swiftness of time. It seems like every month we look at each other and ask, “Where did the last month go?” For church musicians, this is especially true during Advent as Christmas approaches, more closely followed than we might wish by Lent and Easter. It seems as though there is never enough time to adequately prepare our music and our hearts for each season.
David Maxwell has crafted nine extensive organ settings for Advent and Christmas in this collection. Maxwell uses a variety of styles ranging from introspective (W ZLOBIE LEZY) to strong and majestic (CONSOLATION). The collection also includes a joyful toccata of ANTIOCH and a lively swung setting of GO TELL IT. These settings will be enjoyable for all levels.
“Jesus Christ is the Light of the world, the light no darkness can overcome.”
These words mark the opening of the service of Evening Prayer (Lutheran Service Book, p. 243). The language of light and darkness reminds us that Christ, our light, has overcome the darkness of sin, death, and the evil one. Christ as the light of the world is taken directly from Scripture and is a recurring theme throughout Advent. As a new Church Year begins in the season of Advent, we are surrounded by reminders in Scripture, in hymns and the liturgy, in traditions, and in nature, that light remains a crucial component both of our biology and our faith.
As Christmas approaches, everything around us tells us to be merry and happy—and we should be as we rejoice at the remembrance of the birth of Christ. For us church musicians, though, this time of year finds many of us busy, anxious, and stressed, a far cry from the Christmas cheer everyone around us espouses. Fortunately for us, our tasks during this season lead us to the truth, the ultimate cause of rejoicing.
It is often at Christmas that church music directors pull out all the stops—and all the special musicians. Special musicians, whether they are singers or instrumentalists, are usually willing to share their talents at this festive time of year. But how can church music directors engage these other musicians all year round?
During the Advent season, churches may set aside time to reflect on the O Antiphons of Advent through worship and song. What are these O Antiphons and how can church musicians incorporate them into the church’s song this Advent season?