Kevin Hildebrand has set a text by Stephen P. Starke to the Welsh tune LLEF. This easy-to-learn composition is useful throughout the Lenten season, especially on Ash Wednesday during the imposition of ashes. Written to be flexible, it may be sung by soloists or a two-part choir, with an optional SATB stanza, and it may be modified in length. An optional part for treble instruments is included.

The First Noel is one of the final contributions to the Concordia Publishing House choral catalog by the late Carl F. Schalk (1929–2021). Schalk’s soaring tune and captivating setting of the beloved Christmas carol is set for SATB, strings, tubular bells, and timpani. Useful for concerts, services, and pageants, the piece is a processional carol. The new tune and unique combination of instrumentation will engage listeners and set the tone for concerts and worship.

This three-volume set edited by William Braun includes the SAB chorale settings of Michael Praetorius, making this collection accessible to most choirs. The settings may be used as a complete selection by the choir, as an anthem, or in alteration with the congregation for the Hymn of the Day.

“The Angel Gabriel from Heaven Came” is a brand-new choral setting composed by the late Philip Gehring (1925–2020). Using the text and tune of Lutheran Service Book 356, this two-part treble choral setting is ideal for church choirs working with limited numbers this Advent and Christmas.

If you’re a church musician, chances are high that the way you’ve performed music (or haven’t) at church has been completely different from “normal” circumstances. Maybe you’ve switched to pre-recorded services, or livestreamed services with limited groups of musicians accompanying. In some cases, the organist and a soloist might be the safest options.

CPH is pleased to introduce this new collection of thirty-five hymns for men’s voices, following the classic first volume published in 1961. Featuring all new settings for the Church Year by Kevin Hildebrand, these hymn arrangements include predictable, pleasing harmonies with the melody almost always in the top voice (Tenor 1). These will be useful as stand-alone choral anthems or choral stanzas in alternation with congregational singing.

This year, May 31 is Pentecost Sunday, the day the Church celebrates the Holy Spirit coming to the disciples after Christ's resurrection and ascension. In preparation for the day and coming season of Pentecost, a new piece by Rev. Stephen P. Starke and Jacob B. Weber has been released. The piece includes a beautiful, lyrical melody and an optional flute part, which adds variety and structure to the tune. 

On the Day of Pentecost, Jesus’ apostles were together in a house when a rush of wind from heaven filled the space. Then tongues of fire appeared above the apostles’ heads, and they were filled with the Holy Spirit. They went out to Jerusalem, speaking many different languages, and witnessed to people of all nations who were there (Acts 2:1–11).

Starke’s text is especially appropriate for the Day of Pentecost and the season following it as it reads: 

A perfect selection for the Easter season comes in this SATB anthem based on Romans 6:9. Beginning with joyous alleluias, the music rises in sequence, portraying the text “raised from the dead.” The melodic sequences and voice leading make the music easy to learn while still sounding dramatic and powerful.

Description

Jacob B. Weber has composed a thrilling Gloria for SATB, organ, and brass quartet. Featuring joyous symphonic writing, the piece begins with a fanfare interplay between brass and organ, leading directly into angelic strains of “Gloria in excelsis Deo!” Moments of warm, rich choral writing complement the text. Set entirely in Latin, this setting can be a featured addition to any high school or college Christmas concert, or, when appropriate, a festival Divine Service setting during the Church Year.