You may have heard someone in your church referred to as a cantor (sometimes spelled “kantor”). You probably know that a cantor works with church music, but what makes a cantor distinct from an organist or director of church music? Carl Schalk provides insight into what a cantor is historically in church tradition and what it means for us today. The following has been adapted from The Cantor in the Lutheran Tradition. 

Hymn introductions provide an opportunity to invite the congregation to lift up its voice. They needn’t be long or complicated in order to be engaging. This resource provides 60 introductions and an extended preface that provides tools and suggestions for the average church musician to craft his or her own introductions. These introductions are extremely useful, covering 117 hymns in Lutheran Service Book.

When you hear the word doxology, what comes to your mind? For many, it’s a familiar tune and the words:

Pentecost hymns have been passed down for generations. Many of them have intricate and interesting histories to them, including that of “Come, Holy Ghost, God and Lord” found in Lutheran Service Book as hymn 497. Read this excerpt from Lutheran Service Book: Companion to the Hymns and Eternal Anthems: The Story Behind Your Favorite Hymns, Volume 1 to learn about one of Martin Luther’s Pentecost hymns and its origins. 

Dr. John A. Behnke is a frequent handbell clinician, festival director, and organ recitalist. He enjoys composing and arranging, and he has 450+ handbell, choral, and organ compositions in print with nineteen different publishers in the United States, Germany, and Taiwan. Behnke’s relationship with Concordia Publishing House started in 1994, and he has since composed more than 200 of those pieces with CPH. In honor of his 70th birthday, we asked John to share some words of wisdom and key lessons he has learned throughout his career.

This is the 11th edition in the popular Mosaics series by Jacob B. Weber. Pentecost Mosaicscontains versatile and festive settings useful for Pentecost and beyond. Highlights include a suite on “Come, Holy Ghost, Creator Blest” (Festival Introduction, Harmonization, and Organ Stanza) and six variations on “Holy Spirit, Light Divine.” Other hymns include “O Day Full of Grace”; “Come Down, O Love Divine”; “Holy Spirit, End Our Sadness”; and “Come, Holy Ghost, God and Lord.”

The Daily Office has given voice to the daily prayer of the faithful in “many and various ways” over the centuries (LSB, p. 238; Hebrews 1:1).

Music has meaning. More than a series of notes, more than associated verbal texts, more than personal entertainment—music has meaning. In Lutheran Music and Meaning, author Daniel Zager demonstrates how music signals and conveys meaning. With suggested listening examples, chapters discuss the means that the great Lutheran composers used to convey meaning and in what ways liturgy, Church Year, and lectionary provide integrated contexts for meaning. Written specifically for the singer and listener, this book assists the curious in learning more about Lutheran music, its function, and its meaning.

Easter hymns are beautiful celebrations of the victory Jesus won on the cross and in His glorious resurrection for our salvation. Alleluia! They are filled with bright notes and triumphant musical lines to bring all His people together in rejoicing. There are many beloved Easter hymns that are yearly staples in the worship service. Read about three favorites and their hymn histories below to rejoice with generations of Christians before you who sang these same words.

Johann Sebastian Bach is a well-known name throughout the world. Whether you are a music fanatic or not, chances are you have been touched by Bach’s music without even knowing it.